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Abigail Taylor-Sansom

Dramatic writing professor

Education

  • M.F.A., dramatic writing, Savannah College of Art and Design
  • B.A., dramatic art, The University of North Carolina at Chapel Hill

Credentials

Academic

  • Professor of dramatic writing, Winter 2022—present, Savannah College of Art and Design, Savannah, GA
  • Instructor, 2020–21, College of Music and Dramatic Arts
    Designed and taught an introductory course in transmedia storytelling. Facilitated workshops with industry professionals in narrative and documentary film, gaming, and themed entertainment. Students outlined, drafted, and revised short form works for film, television, theater, gaming, virtual reality, theme parks, and interactive media.
  • Instructor, 2018, SCAD summer seminars, Savannah College of Art and Design, Savannah, GA
    Designed and taught an introductory intensive in screenwriting. Curriculum included narrative structure, pre-writing, composition, and revision. Several students placed in national contests with their work from the intensive.
  • Guest lecturer for department of English and foreign languages, 2015–17, Monroe College, Bronx, NY
    Lectured on professional applications of the curriculum in an introductory dramatic literature course.  Directed students in table readings of classic plays, emphasizing script analysis skills.
  • Instructor at department of voice and speech, 2007–16, AMDA College and Conservatory, New York
    Designed and taught an interdisciplinary course in voice and movement for musical theatre and acting majors in the B.F.A. and certificate programs.

Professional

  • Writer and showrunner, 2020–22, Hunt a Killer, Baltimore
    Led project team of writers, designers, producers, procurement specialists, and software developers to create a new game with projected lifetime reach of 1 million+ players. Managed writers' room during drafting and revision process, delivering content in accordance with project timelines. Refined gameplay based on results of playtesting and QA processes, as well as feedback from C-suite and other stakeholders. Collaborated with Media Producers to produce video, audio, and other media-related game components. Collaborated with Chief Marketing Officer to develop messaging strategy and marketing assets. Contributed to hiring process by interviewing candidates for salaried writer and producer roles.
  • Show writing and story development professional intern, 2019–20, Walt Disney Imagineering, Orlando, FL
    Developed treatments, scripts, copy, and dialogue for attractions, hotels, restaurants, and other immersive spaces at Walt Disney World Resort. Collaborated with lmagineers from multiple departments and Walt Disney Company corporate alliance partners to ideate and realize immersive story experiences.
  • Interactive script writer, Inkitt, 2019, Berlin, Germany
    Adapted source material into a season of interactive fiction episodes. Developed marketing materials for the season, integrating user analytics data to refine content.

Awards, recognitions, and honors

  • Official Selection, KIDS FIRST! Film Festival, Duo, 2020
  • Winner, Best Student Film, Nenagh Children's Film Festival, Duo, 2020
  • Listed on The Red List by Covertly, Confinement, 2018
  • Shortlisted for second-round consideration, Sundance Screenwriters Lab, The Hollow, 2018
  • Top Thirty, Faith in Film Screenwriting Competition, The Hollow, 2018
  • Official Selection, Beverly Hills Film Festival, Confinement, 2018
  • Semi-Finalist, ScreenCraft Fellowship, Confinement, 2018
  • Semi-Finalist, The Launch Screenplay Competition, Confinement, 2018
  • Top Five, Screamfest Screenplay Competition, Confinement, 2018
  • Best Short Play (Won), Tennessee Theatre Association, Fine Art, 2015
  • Off-Broadway Pick of the Month, Broadway Global, King of the Hobos, 2015
  • Outstanding Book of a New Musical (Nom.), Planet Connections, Pageant Princess, 2012
  • Outstanding New Musical (Nom.), Planet Connections, Pageant Princess, 2012
  • Outstanding Music and Lyrics (Won), Planet Connections, Pageant Princess, 2012
  • Semi-Finalist, Minnesota Short Play Festival, Fine Art, 2012
  • Finalist, City Theatre Playwright Festival, Fine Art, 2012
  • Playwright in Residence, Theatron, 2011

Organizations

  • Women in Toys, Licensing, and Entertainment
  • Dramatists Guild of America

Publications and presentations

Select publications

  • "Don't Call Us (We'll Call You)" (monologue) in 222 More Comedy Monologues 2 Minutes and Under, Smith & Kraus, 2018
  • Hipster Van Winkle (play), YouthPLAYS, 2018
  • Fine Art (play), Heuer, 2012

Select nontraditional publications and projects

  • "Body on the Boardwalk" (tabletop game), Hunt A Killer/Amazon.com, 2021
  • "Ghosts of the French Quarter" (location-based mobile game), Questa Global SRL, 2021
  • "Historic French Quarter" (location-based mobile game), Questa Global SRL, 2021
  • The Guest House (interactive YA novel), Shadows Interactive, 2021
  • The Island (interactive graphic novel), Fablelabs, 2021
  • "Hunt a Killer Mystery: Mallory Rock" (tabletop-digital hybrid game), Hunt A Killer, 2020
  • “"Blair Witch" (tabletop-digital hybrid game series), Lionsgate Games, 2020

Select screenplays and teleplays

  • Mirrors (short film), dir. Iago Souza, 2019
  • Duo (short film) (written by), dir. Iago Souza, 2019
  • Hard to Get (short film) (written by), dir. Iago Souza, 2018
  • Birthday Girl (short film) (written by), dir. Iago Souza, 2018
  • Writer's Block (short film) (screenplay by), dir. Ryan Hopkinson, 2018
  • Drawn Apart (animated short film) (story by), dir. Haley Zutto, 2018
  • October 31 (short film) (written by), dir. Jared Wang, 2018
  • Duo (short film) (written by), dir. Iago Souza, 2018
  • Don't Call Us (We'll Call You)(short film) (written by), dir. Megan Jeannette Smith, 2015