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Dani Jakubowski

Art history professor

Education

  • Ph.D., art history, University of Florida
  • M.S., art history, Pratt Institute
  • B.A., art history, Oakland University

Credentials

Teaching experience

  • Professor of art history, Fall 2019–present, Savannah College of Art and Design, Savannah, GA
  • Adjunct instructor, 2018, SAE Institute, Nashville, TN
  • Adjunct instructor, 2017–18, Belmont University, Nashville, TN
  • Adjunct instructor, 2017–18, Volunteer State Community College, Gallatin, TN
  • Online adjunct instructor, 2017–18, Southern New Hampshire University, Hookset, NH

Gallery experience

  • Gallery intern, 2009, Townhouse Gallery of Contemporary Art, Cairo, Egypt
    Supported organization and execution of exhibitions and the International Residency Symposium, engaging gallerists from Africa, Europe, and the Middle East in discussions about the trajectory of artist residency programs.

Awards, recognitions, and honors

  • American Research Center in Egypt Fellowship, Cairo, Egypt, 2014–15
  • Graduate Student Travel Award, University of Florida, Gainesville, Fla., 2015
  • Good Life Fellowship, University of Florida, Gainesville, Fla., 2013
  • Center for African Studies Graduate Student Travel Award, University of Florida, Gainesville, Fla., 2013
  • Art History Graduate Student Travel Award, University of Florida, Gainesville, Fla., 2013
  • Scholar-in-Residence, Townhouse Gallery, Cairo, Egypt, 2012–13

Organizations

  • African Studies Association, 2010–18
  • College Art Association, 2010–18

Publications and presentations

Peer-reviewed publications

  • "Provocative Acts and Censorial Revisions: The Many Antagonisms of Amal Kenawy's The Silence of the Lambs," African Arts 50, no. 4 (2017): 24–33.
  • "Review," Sacred Waters: Arts for Mami Wata and Other Divinities in Africa and the Diaspora and Mami Wata: Arts for Water Spirits in Africa and its Diasporas, African Studies Quarterly 11, no. 4 (Summer 2010): 131–135.

Artist interviews

  • "Moments of turmoil are daily latencies made visible: A conversation with Hassan Khan," Mada Masr, Sept. 2017.
  • "Artifacts from humanity's failed futures: A conversation with artist Basim Magdy," Mada Masr, Feb. 2017.

Exhibition reviews

  • "Wael Shawky's sculptural works bring the bizarre, violent world of his films into the present," Mada Masr, Aug. 2018.
  • "Yasmine El Meleegy at Townhouse Gallery," Artforum International 56, no. 9, May 2018.
  • "A conflict of urban imaginaries: Ahmed Mater explores a brutally changing city in Mecca Journeys," Mada Masr, Feb. 2018.

Editorial publications

  • "Afruz Amighi at the Frist Center for the Arts," Critics' Picks, Artforum International, July 2018.
  • "John Akomfrah: Sublime Seas at SFMOMA," Critics' Picks, Artforum International, July 2018.
  • "Amalia Pica at the Power Plant, Toronto," Critics' Picks, Artforum International, Nov. 2017.
  • "Jennifer Packer at the Renaissance Society, Chicago," Critics' Picks, Artforum International, Sept. 2017.

Invited lectures

  • "Video, New Media, Institution – Cairo Video Festival Soft Closing," presented at Medrar Gallery, Cairo, Egypt, 2016.
  • "Laura Baladi's Tower: Hope and Spatial Politics in Contemporary Cairo," alumni lecture presented at Oakland University, Auburn Hills, Mich., 2009.
  • "A Study in Impurities: The Late Style of Philip Guston," presented at Oakland University, Auburn Hills, Mich., 2006.

Guest lectures

  • "Lara Baladi's Utopian Toolkit: Digital Activism, Artistic Practice, and the Egyptian Arab Spring," presented at University of Florida, Gainesville, Fla., 2015.

Conference papers

  • "The Utopia of the Grotesques: The Transnational Artistic Community of Wael Shawky's Cabaret Crusades," presented at College Art Association Annual Association, New York, 2017.
  • "Sherif El-Azma, 'Video by the Kilo,' and Art Pedagogy in Contemporary Egypt," presented at the African Studies Association Annual Conference, Chicago, 2017.
  • "From the Prison of the Chastity Belt to the Fires in the Untainted Sky: The Feminist Utopia of Lara Baladi’s Arab Spring," presented at Southeastern College Art Conference, Columbus, Ohio, 2017.
  • "Lara's Digital Archive, or, Coming to Terms with Being a Late Capitalist, Partially Digital, but Fully Revolutionary Subject," presented at Marxist Reading Group Annual Conference, Gainesville, Fla., 2016.
  • "Wael Shawky, the Traditions of the Qawwals, and the Mobile Habitat of the Mother Tongue," presented at HISTART '15, History of Art Conference, Istanbul, Turkey, 2015.
  • "Digital Assemblages: Ahmed Basiony's 30 Days Running in Place and the Politics of Self-Representation at the Venice Biennale," presented at African Studies Association Annual Conference, Washington, D.C., 2013.
  • "Acoustic Thumbprints: Gender, Labor, and Urban Geography in the Sound Installations of Magdi Mostafa," presented at Southeastern College Art Conference, Greensboro, N.C., 2013.
  • "The Easy Thing to Do: The Politics of Performativity in Egyptian Video Art," presented at Boston University African Studies Graduate Conference, Savannah, Ga., 2011.