Go deep on film licensing and clearances in virtual SCADFILM workshop series
Get the green light on film licensing and clearances in a three-part virtual workshop series hosted by SCADFILM this December. Picture this: You have written an incredible script, shot breathtaking footage of inspiring performances, and finished with sound design, color, and editing to weave your film into a compelling story. As your project gains critical acclaim and interest from distributors on the festival circuit, what do you do when a sales agent asks for clearances for the sneakers your lead actor is wearing in most of the shots?
Knowing whether you have retained all copyrights for your film and if you hold the rights to screen it at festivals or in wider distribution can be tricky and complicated. Register for this virtual workshop series from SCADFILM to learn about clearances you may need and what film rights you may have before you begin production. Join SCADFILM Wednesday, Dec. 7 for an overview of film clearances and copyrighted work; Monday, Dec. 12 for a deep dive on music and score licensing; and Wednesday, Dec. 14 for a look at licensing for documentaries and other unscripted projects.
Part I: Clearances and Copyrighted Work Overview
Wednesday, Dec. 7, 11 a.m. ET
Necessary clearances can include sets, actors and extras, stock film, art, posters, products and brands, books, games, recognizable images, famous speeches, dramatic works, and photographs, among others. These copyrighted works harbor hidden legal risks in the form of clearance requirements you may not be aware of. Learn the basics of educational use, standard license types, and resources for finding obscure clearance possibilities.
Part II: Music and Score Licensing
Monday, Dec. 12, 11 a.m. ET
Fine tune your music licensing expertise in this workshop. The use of music in your film project creates thematic identities for characters, establishes time and place, and can set the atmosphere for the entire movie. Learn what information to include in your rights for music clearances, what to know when working with a composer, and where to find resources to legally incorporate dynamic music in your film.
Part III: Documentary and Unscripted Projects Licensing
Wednesday, Dec. 14, 11 a.m. ET
In a perfect world, all the material in your project would be originally produced by you and not subject to any rights restrictions, contracts, or fair-use determinations. Documentary or unscripted projects often feature archived footage and other licensing pitfalls. Learn when you can claim fair use and how to assess the level of risk or exposure you may have with your film in this workshop.